TypoMov is a brief presentation of the main points of a lecture I did at the Hague ATypI-conference in november 1996. Maybe this is more understandable than the original lecture… Information becomes static when written or printed. This is obviously advantageous because a huge amount of information can be stored extracerebrally, no matter if it's analogue or digital. The spoken information on the other hand is dynamic with an absolute demand of presence. If you’re not there, you’ll miss it, because the spoken word disappears instantly. The meaning of the spoken information may be stored in your memory, but the words are gone. Now, with digital media you can combine these types of information and get dynamic text.
In ufLightSign you may experience how it feels to write a text that acts like the spoken word: When written the words disappear almost instantly.
In ufFeetMovie the content seems to be some kind of dance. Actually it’s a coded text, and in this case it’s not the letters that move. Each letter is a foot position and showing them on a timeline instead of a baseline, you get a stroposcobic movement. (Feet is available as a font, too: ufFeet)
In the real world the text wouldn’t survive this kind of typography. We must hold the dynamics tight. But it can be used as an extra effect, an extra style. I’m used to judging a font upon whether it has small caps and old styles figures or not. Now the typedesigner must face a new challenge: mobility.
On a fence in Berlin somebody had sprayed the words bekleben verboten using a stencil, repeating it many times. All the letters were different depending on the structure of the wood and the amount and pressure of the paint. I took 20 photos and created the missing letters out of the form and structure of the few letters on the fence. As many as 12 versions of each letter were put together in filmloops. Thus I made a new style for Just van Rossum’s ffKarton, allthough I chose to let it be an independent font, named ufKartoon
In ufKartoonMov you can write with the font. 80 K
13. apr 2001 The spoken information on the other hand is dynamic with an absolute demand of presence. If you're not there, you'll miss it, because the spoken word disappears instantly. The meaning of the spoken information may be stored in your memory, but the words are gone.
This is not a logo ➜
I was pleased at ‘Total Typographic Saturday’ in the end of october, as Tore Rosbo and Clea Simonsen from the design bureau 1508 presented the identity […]
This is not a logo //permalink (80)
ATypI Copenhagen logo ➜
15. MAR 2017 // illustration /offentligt rum /typografi»Do You by any chance remember: In which font did you scream?«
Typo-offended //permalink (146)
More web sites for the danish authorities are using webfonts ➜
5. DEC 2013 //But far the most of them still don’t! Only 22 out of 122 web sites for the danish authorities. And the majority of those are prefering free fonts. On the other hand is the number more than doubled in a year, since November 2012 when the number was 9 out of 115.
The study is a snapshot that I took November 6, 2013 and covers the […]
3D enlightening Copenhagen ➜
20. JAN 2011 // berlinAfter visiting Buchstabenmuseum in the fall 2010, I started to register this applied typography in big scale in Copenhagen. Big letters, neon, and stuff.
As far as I remembered, this was different from how it was back in Copenhagen. Consequently I started to look around here, and of course there were many more than I expected. […]
3D enlightening Copenhagen //permalink (135)
Fingerpainted fontdesign ➜
Fingerpainted fontdesign //permalink (108)
Welt aus Schrift, type exhibition in Berlin ➜
Big Letters Light ➜
9. DEC 2010 // typografi /reklame /offentligt rum /berlinBuchstabenmuseum Berlin. Why are these letters so attractive? I don't get an answer at Buchstabenmuseum, but I most certainly get a wish to look after all these servants of the announcements, sofisticated as well as monumental.
Big Letters Light //permalink (106)
Bridges and letters in Amsterdam ➜
20. AUG 2010 // husnumre /offentligt rum /typografi /designRound the city of Amsterdam, crossing the grachten - many of the bridges have their names displayed with ‘De Amsterdamse Brugletters’.
Typesetting the net - font embedding ➜
The frustration about missing typographic tools for web design might be well aknowledged. How do I make typography in a graphically sense for the web. Cascading stylesheets offers […]
Fontc[art] Generator ➜
At the ATypI conference in Copenhagen 2001 Erik van Blokland, Letterror, made the statement that design is not to make one or more possible solutions of a certain task. Design is rather choosing the right one among all these possibilities. And since the making of the examples […]
Fontc[art] Generator //permalink (37)